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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease. The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
    U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease.

    The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
  • Image 2 The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism. Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
    The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.

    Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
  • Image 3 Verma in November 2014 Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world. Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)

    Verma in November 2014

    Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world.

    Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)
  • Image 4 Present-day Karimganj district (blue) and surrounding areas The Pratapgarh Kingdom (Bengali: প্রতাপগড় রাজ্য) was a medieval state in the north-east of the Indian subcontinent. Composed of the present-day Indian district of Karimganj, as well as parts of Tripura State and Sylhet, Bangladesh, the kingdom was ruled by a line of Muslim monarchs over a mixed population of Hindu and Islamic adherents. It was bordered by the larger kingdoms of Kachar, Tripura and Bengal. Centred around the hilly, forested region which forms the modern border between eastern Bangladesh and India, the lands which later formed Pratapgarh were initially under the control of the rulers of Tripura and were principally inhabited by Hindu tribes. It is believed that during the latter years of the 15th century AD, the area was seceded by Malik Pratap, a landowner of mixed native and Persian ancestry, who established the kingdom and from whom it may have received its name. Under the rule of his grandson, Sultan Bazid, the influence of Pratapgarh reached its zenith, developing into a significant cultural centre. It also became a notable military power, defeating the stronger kingdom of Kachar as well as engaging against the dominance of Bengal. It was during this time that the state enjoyed its territorial peak, having briefly captured Sylhet from the latter. (Full article...)

    Present-day Karimganj district (blue) and surrounding areas

    The Pratapgarh Kingdom (Bengali: প্রতাপগড় রাজ্য) was a medieval state in the north-east of the Indian subcontinent. Composed of the present-day Indian district of Karimganj, as well as parts of Tripura State and Sylhet, Bangladesh, the kingdom was ruled by a line of Muslim monarchs over a mixed population of Hindu and Islamic adherents. It was bordered by the larger kingdoms of Kachar, Tripura and Bengal.

    Centred around the hilly, forested region which forms the modern border between eastern Bangladesh and India, the lands which later formed Pratapgarh were initially under the control of the rulers of Tripura and were principally inhabited by Hindu tribes. It is believed that during the latter years of the 15th century AD, the area was seceded by Malik Pratap, a landowner of mixed native and Persian ancestry, who established the kingdom and from whom it may have received its name. Under the rule of his grandson, Sultan Bazid, the influence of Pratapgarh reached its zenith, developing into a significant cultural centre. It also became a notable military power, defeating the stronger kingdom of Kachar as well as engaging against the dominance of Bengal. It was during this time that the state enjoyed its territorial peak, having briefly captured Sylhet from the latter. (Full article...)
  • Image 5 Henry Martyn (18 February 1781 – 16 October 1812) was an Anglican priest and missionary to the peoples of India and Persia. Born in Truro, Cornwall, he was educated at Truro Grammar School and St John's College, Cambridge. A chance encounter with Charles Simeon led him to become a missionary. He was ordained a priest in the Church of England and became a chaplain for the British East India Company. Martyn arrived in India in April 1806, where he preached and occupied himself in the study of linguistics. He translated the whole of the New Testament into Urdu, Persian and Judaeo-Persic. He also translated the Psalms into Persian and the Book of Common Prayer into Urdu. From India, he set out for Bushire, Shiraz, Isfahan, and Tabriz. (Full article...)

    Henry Martyn (18 February 1781 – 16 October 1812) was an Anglican priest and missionary to the peoples of India and Persia. Born in Truro, Cornwall, he was educated at Truro Grammar School and St John's College, Cambridge. A chance encounter with Charles Simeon led him to become a missionary. He was ordained a priest in the Church of England and became a chaplain for the British East India Company.

    Martyn arrived in India in April 1806, where he preached and occupied himself in the study of linguistics. He translated the whole of the New Testament into Urdu, Persian and Judaeo-Persic. He also translated the Psalms into Persian and the Book of Common Prayer into Urdu. From India, he set out for Bushire, Shiraz, Isfahan, and Tabriz. (Full article...)
  • Image 6 Three athletes from India participated in the 2010 Winter Olympics in Vancouver, Canada, held between 12 and 28 February 2010. The country's participation in Vancouver marked its eighth appearance at the Winter Olympics since its debut in 1964. The India team consisted of skiers Jamyang Namgial and Tashi Lundup apart from luger Shiva Keshavan. Keshavan was the country's flag-bearer during the opening ceremony. None of them won a medal, and as of these Games, India had not earned a Winter Olympic medal. Lundup served as the flag-bearer during the closing ceremony. (Full article...)
    Three athletes from India participated in the 2010 Winter Olympics in Vancouver, Canada, held between 12 and 28 February 2010. The country's participation in Vancouver marked its eighth appearance at the Winter Olympics since its debut in 1964.

    The India team consisted of skiers Jamyang Namgial and Tashi Lundup apart from luger Shiva Keshavan. Keshavan was the country's flag-bearer during the opening ceremony. None of them won a medal, and as of these Games, India had not earned a Winter Olympic medal. Lundup served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 7 Paiyaa (transl. Boy) is a 2010 Indian Tamil-language action-adventure film directed by N. Lingusamy and produced by N. Subash Chandra Bose under the banner Thirrupathi Brothers. The film stars Karthi and Tamannaah Bhatia in the lead roles, while Milind Soman, Jagan and Sonia Deepti appear in supporting roles. The music was composed by Yuvan Shankar Raja, and the cinematography and editing were handled by R. Madhi and Anthony, respectively. Following a lengthy pre-production phase, during which the film underwent major changes in its main cast and technical crew, it began shooting in December 2008 at various locations throughout South India, most notably in Karnataka, Andhra Pradesh, and Maharashtra. (Full article...)
    Paiyaa (transl. Boy) is a 2010 Indian Tamil-language action-adventure film directed by N. Lingusamy and produced by N. Subash Chandra Bose under the banner Thirrupathi Brothers. The film stars Karthi and Tamannaah Bhatia in the lead roles, while Milind Soman, Jagan and Sonia Deepti appear in supporting roles. The music was composed by Yuvan Shankar Raja, and the cinematography and editing were handled by R. Madhi and Anthony, respectively.

    Following a lengthy pre-production phase, during which the film underwent major changes in its main cast and technical crew, it began shooting in December 2008 at various locations throughout South India, most notably in Karnataka, Andhra Pradesh, and Maharashtra. (Full article...)
  • Image 8 VVPAT used with electronic voting machines in Indian elections Electronic voting is the standard means of conducting elections using Electronic Voting Machines (EVMs) in India. The system was developed for the Election Commission of India by state-owned Electronics Corporation of India and Bharat Electronics. Starting in the late 1990s, they were introduced in Indian elections in a phased manner. Prior to the introduction of electronic voting, paper ballots were used and manual counting was done. The printed paper ballots were expensive, required substantial post-voting resources and time to count individual ballots and were prone to fraudulent voting with pre-filled fake ballots. Introduction of EVMs have brought down the costs significantly, reduces the time of counting to enable faster announcement of results and eliminated fraudulent practices due to safety features such as security locking, limits to rate of voting per minute and verification of thumb impressions. EVMs are stand-alone machines that use write once read many memory. They are self-contained, battery-powered and do not need any networking capability. They do not have any wireless or wired components that connect to the internet. (Full article...)
    VVPAT used with electronic voting machines in Indian elections

    Electronic voting is the standard means of conducting elections using Electronic Voting Machines (EVMs) in India. The system was developed for the Election Commission of India by state-owned Electronics Corporation of India and Bharat Electronics. Starting in the late 1990s, they were introduced in Indian elections in a phased manner.

    Prior to the introduction of electronic voting, paper ballots were used and manual counting was done. The printed paper ballots were expensive, required substantial post-voting resources and time to count individual ballots and were prone to fraudulent voting with pre-filled fake ballots. Introduction of EVMs have brought down the costs significantly, reduces the time of counting to enable faster announcement of results and eliminated fraudulent practices due to safety features such as security locking, limits to rate of voting per minute and verification of thumb impressions. EVMs are stand-alone machines that use write once read many memory. They are self-contained, battery-powered and do not need any networking capability. They do not have any wireless or wired components that connect to the internet. (Full article...)
  • Image 9 "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire. Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
    "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.

    Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
  • Image 10 in Noordwijk, Netherlands Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses. The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)

    in Noordwijk, Netherlands

    Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses.

    The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)
  • Image 11 Drushyam (transl. Visual) is a 2014 Indian Telugu-language crime thriller film directed by Sripriya and jointly produced by D. Suresh Babu and Rajkumar Sethupathi. It is a remake of Jeethu Joseph's 2013 Malayalam film Drishyam and features Venkatesh, Meena and Nadhiya playing the respective roles played by Mohanlal, Meena and Asha Sharath in the original. The film tells the story of Rambabu, a middle-class cable TV operator, and his family. They come under suspicion when Varun, the son of the Inspector-general of police (IG), goes missing soon after harassing Rambabu's daughter. The rest of the film reveals how Varun disappeared and what Rambabu does to keep his family from going to prison. (Full article...)
    Drushyam (transl. Visual) is a 2014 Indian Telugu-language crime thriller film directed by Sripriya and jointly produced by D. Suresh Babu and Rajkumar Sethupathi. It is a remake of Jeethu Joseph's 2013 Malayalam film Drishyam and features Venkatesh, Meena and Nadhiya playing the respective roles played by Mohanlal, Meena and Asha Sharath in the original.

    The film tells the story of Rambabu, a middle-class cable TV operator, and his family. They come under suspicion when Varun, the son of the Inspector-general of police (IG), goes missing soon after harassing Rambabu's daughter. The rest of the film reveals how Varun disappeared and what Rambabu does to keep his family from going to prison. (Full article...)
  • Image 12 Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani). Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
    Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani).

    Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
  • Image 13 Alimuddin in 1962 Alimuddin (Urdu: علیم الدین‎; 15 December 1930 – 12 July 2012) was a Pakistani cricketer who played 25 Tests for Pakistan between 1954 and 1962. His name is sometimes rendered Alim-ud-Din. A fast-scoring, right-handed opening batsman and occasional right-arm leg break bowler, he was the youngest player ever to appear in first-class cricket, aged 12 years and 73 days. In international cricket, he scored 1,091 runs at the average of 25.37, including two centuries and seven fifties. In 1954, he was a member of the Pakistani squad which toured England and recorded Pakistan's first Test match win. Former Pakistani captain Mushtaq Mohammad said about him that he was "a thorough gentleman as well as a great cricketer for Pakistan". (Full article...)

    Alimuddin in 1962

    Alimuddin (Urdu: علیم الدین‎; 15 December 1930 – 12 July 2012) was a Pakistani cricketer who played 25 Tests for Pakistan between 1954 and 1962. His name is sometimes rendered Alim-ud-Din. A fast-scoring, right-handed opening batsman and occasional right-arm leg break bowler, he was the youngest player ever to appear in first-class cricket, aged 12 years and 73 days. In international cricket, he scored 1,091 runs at the average of 25.37, including two centuries and seven fifties. In 1954, he was a member of the Pakistani squad which toured England and recorded Pakistan's first Test match win. Former Pakistani captain Mushtaq Mohammad said about him that he was "a thorough gentleman as well as a great cricketer for Pakistan". (Full article...)
  • Image 14 Publicity poster for film show at the Coronation Cinematograph and Variety Hall, Girgaon Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke. and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles. Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh (Growth of a Pea Plant) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment, direction, production design, make-up, film editing, along with film processing. Trymbak B. Telang handled the camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels. (Full article...)

    Publicity poster for film show at the Coronation Cinematograph and Variety Hall, Girgaon

    Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke. and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles.

    Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh (Growth of a Pea Plant) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment, direction, production design, make-up, film editing, along with film processing. Trymbak B. Telang handled the camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels. (Full article...)
  • Image 15 Swaminarayan Akshardham in Delhi, India Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States. The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)

    Swaminarayan Akshardham in Delhi, India

    Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States.

    The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)
  • Image 16 Bengal tiger in Mudumalai National Park Mudumalai National Park is a national park in the Nilgiri Mountains in Tamil Nadu in southern India. It covers 321 km2 (124 sq mi) at an elevation range of 850–1,250 m (2,790–4,100 ft) in the Nilgiri District and shares boundaries with the states of Karnataka and Kerala. A part of this area has been protected since 1940. The national park has been part of Nilgiri Biosphere Reserve since 1986 and was declared a tiger reserve together with a buffer zone of 367.59 km2 (141.93 sq mi) in 2007. It receives an annual rainfall of about 1,420 mm (56 in) and harbours tropical and subtropical moist broadleaf forests with 498 plant species, at least 266 bird species, 18 carnivore and 10 herbivore species. It is drained by the Moyar River and several tributaries, which harbour 38 fish species. Traffic on three public roads passing through the national park has caused significant roadkills of mammals, reptiles and amphibians. The park's northern part has been affected by several wildfires since 1999. (Full article...)

    Bengal tiger in Mudumalai National Park

    Mudumalai National Park is a national park in the Nilgiri Mountains in Tamil Nadu in southern India. It covers 321 km2 (124 sq mi) at an elevation range of 850–1,250 m (2,790–4,100 ft) in the Nilgiri District and shares boundaries with the states of Karnataka and Kerala. A part of this area has been protected since 1940. The national park has been part of Nilgiri Biosphere Reserve since 1986 and was declared a tiger reserve together with a buffer zone of 367.59 km2 (141.93 sq mi) in 2007.
    It receives an annual rainfall of about 1,420 mm (56 in) and harbours tropical and subtropical moist broadleaf forests with 498 plant species, at least 266 bird species, 18 carnivore and 10 herbivore species. It is drained by the Moyar River and several tributaries, which harbour 38 fish species.

    Traffic on three public roads passing through the national park has caused significant roadkills of mammals, reptiles and amphibians. The park's northern part has been affected by several wildfires since 1999. (Full article...)
  • Image 17 Tala water tank from the demolished Tala Bridge The Tala tank, also spelled Tallah tank (Bengali pronunciation: [ˈʈala tæŋk]), is a water tower in Kolkata, West Bengal, India. Construction started in 1909 and it was inaugurated in May 1911 by Edward Norman Baker, the Lieutenant Governor of Bengal. The tank, which is owned by Kolkata Municipal Corporation, is fed by Palta Water Works near Barrackpore. More than 110 years after construction, the tower remains the major water supplier to the city of Kolkata. The water tower, which is claimed to be the world's largest overhead water reservoir, covers 3–4 acres (12,000–16,000 m2), has a capacity of 9.9 million imperial gallons (45,000 cubic metres), stands 110 ft (34 m) off the ground and weighs 44 thousand tonnes – including water – at maximum capacity. The tank has four individually isolated chambers and a single pipeline for the water source from Palta and to send the water supply to the city. (Full article...)

    Tala water tank from the demolished Tala Bridge

    The Tala tank, also spelled Tallah tank (Bengali pronunciation: [ˈʈala tæŋk]), is a water tower in Kolkata, West Bengal, India. Construction started in 1909 and it was inaugurated in May 1911 by Edward Norman Baker, the Lieutenant Governor of Bengal. The tank, which is owned by Kolkata Municipal Corporation, is fed by Palta Water Works near Barrackpore. More than 110 years after construction, the tower remains the major water supplier to the city of Kolkata.

    The water tower, which is claimed to be the world's largest overhead water reservoir, covers 3–4 acres (12,000–16,000 m2), has a capacity of 9.9 million imperial gallons (45,000 cubic metres), stands 110 ft (34 m) off the ground and weighs 44 thousand tonnes – including water – at maximum capacity. The tank has four individually isolated chambers and a single pipeline for the water source from Palta and to send the water supply to the city. (Full article...)
  • Image 18 Talvar (transl. Sword), released internationally as Guilty, is a 2015 Indian Hindi-language crime-thriller drama film directed by Meghna Gulzar and written by Vishal Bhardwaj. Produced by Bhardwaj and Vineet Jain, the film is loosely based on the 2008 Noida double murder case involving a teenage girl and her family's servant. Starring Irrfan Khan, Konkona Sen Sharma and Neeraj Kabi, the film follows the investigation of a case from three different perspectives in which her parents are either guilty or innocent of the murder charges by the police investigation, the first Central Bureau of Investigation (CBI) probe and an investigation by a different CBI team. It was conceived by Bhardwaj after he met some of the police officials who were investigating the case. He later met Meghna, and expressed his desire to produce a film with her; they then came up with the idea of making a film about the real-life case. They researched the case for two years and found several contradictions, with each view having some validity. Bhardwaj's script was an example of the Rashomon effect. Pankaj Kumar was the film's director of photography, and A. Sreekar Prasad was its editor. (Full article...)
    Talvar (transl. Sword), released internationally as Guilty, is a 2015 Indian Hindi-language crime-thriller drama film directed by Meghna Gulzar and written by Vishal Bhardwaj. Produced by Bhardwaj and Vineet Jain, the film is loosely based on the 2008 Noida double murder case involving a teenage girl and her family's servant. Starring Irrfan Khan, Konkona Sen Sharma and Neeraj Kabi, the film follows the investigation of a case from three different perspectives in which her parents are either guilty or innocent of the murder charges by the police investigation, the first Central Bureau of Investigation (CBI) probe and an investigation by a different CBI team.

    It was conceived by Bhardwaj after he met some of the police officials who were investigating the case. He later met Meghna, and expressed his desire to produce a film with her; they then came up with the idea of making a film about the real-life case. They researched the case for two years and found several contradictions, with each view having some validity. Bhardwaj's script was an example of the Rashomon effect. Pankaj Kumar was the film's director of photography, and A. Sreekar Prasad was its editor. (Full article...)
  • Image 19 L. p. punctulata (India) The scaly-breasted munia or spotted munia (Lonchura punctulata), known in the pet trade as nutmeg mannikin or spice finch, is a sparrow-sized estrildid finch native to tropical Asia. A species of the genus Lonchura, it was formally described and named by Carl Linnaeus in 1758. Its name is based on the distinct scale-like feather markings on the breast and belly. The adult is brown above and has a dark conical bill. The species has 11 subspecies across its range, which differ slightly in size and color. This munia eats mainly grass seeds apart from berries and small insects. They forage in flocks and communicate with soft calls and whistles. The species is highly social and may sometimes roost with other species of munias. This species is found in tropical plains and grasslands. Breeding pairs construct dome-shaped nests using grass or bamboo leaves. (Full article...)

    L. p. punctulata (India)

    The scaly-breasted munia or spotted munia (Lonchura punctulata), known in the pet trade as nutmeg mannikin or spice finch, is a sparrow-sized estrildid finch native to tropical Asia. A species of the genus Lonchura, it was formally described and named by Carl Linnaeus in 1758. Its name is based on the distinct scale-like feather markings on the breast and belly. The adult is brown above and has a dark conical bill. The species has 11 subspecies across its range, which differ slightly in size and color.

    This munia eats mainly grass seeds apart from berries and small insects. They forage in flocks and communicate with soft calls and whistles. The species is highly social and may sometimes roost with other species of munias. This species is found in tropical plains and grasslands. Breeding pairs construct dome-shaped nests using grass or bamboo leaves. (Full article...)
  • Image 20 Mumbai Mirror was an English-language newspaper that was initially launched in 2005 by the Times Group as part of a ringfencing tactic to fight emerging competition in the city, mainly from Zee–Bhaskar's then joint newspaper, Daily News and Analysis. Mumbai Mirror was downsized and digitised by its owners at The Times Group on 5 December 2020 during the Covid-19 lockdown. Mumbai Mirror was bundled into a weekly digital edition, along with its other sister Mirror local editions including Bangalore Mirror, Pune Mirror and Ahmedabad Mirror, and its staff drastically downsized and the residual employees provided a new contract modelled around their previous job roles. The head office of the paper was moved out from Mumbai into Bangalore, and the Bangalore Mirror editor took over the Mumbai edition along with control over the other digital editions. (Full article...)

    Mumbai Mirror was an English-language newspaper that was initially launched in 2005 by the Times Group as part of a ringfencing tactic to fight emerging competition in the city, mainly from Zee–Bhaskar's then joint newspaper, Daily News and Analysis. Mumbai Mirror was downsized and digitised by its owners at The Times Group on 5 December 2020 during the Covid-19 lockdown.

    Mumbai Mirror was bundled into a weekly digital edition, along with its other sister Mirror local editions including Bangalore Mirror, Pune Mirror and Ahmedabad Mirror, and its staff drastically downsized and the residual employees provided a new contract modelled around their previous job roles. The head office of the paper was moved out from Mumbai into Bangalore, and the Bangalore Mirror editor took over the Mumbai edition along with control over the other digital editions. (Full article...)
  • Image 21 Wonderwall Music is the debut solo album by the English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai, tanpura and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles. Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and Bombay. One of his collaborators on the project was classical pianist and orchestral arranger John Barham, while other contributors include Indian classical musicians Aashish Khan, Shivkumar Sharma, Shankar Ghosh and Mahapurush Misra. The Western music features contributions from Tony Ashton and his band the Remo Four, as well as guest appearances by Eric Clapton and Ringo Starr. Harrison recorded many other pieces that appeared in Wonderwall but not on the soundtrack album, and the Beatles' 1968 B-side "The Inner Light" also originated from his time in Bombay. Although the Wonderwall project marked the end of Harrison's direct involvement with Indian music as a musician and songwriter, it inspired his later collaborations with Ravi Shankar, including the 1974 Music Festival from India. (Full article...)
    Wonderwall Music is the debut solo album by the English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai, tanpura and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles.

    Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and Bombay. One of his collaborators on the project was classical pianist and orchestral arranger John Barham, while other contributors include Indian classical musicians Aashish Khan, Shivkumar Sharma, Shankar Ghosh and Mahapurush Misra. The Western music features contributions from Tony Ashton and his band the Remo Four, as well as guest appearances by Eric Clapton and Ringo Starr. Harrison recorded many other pieces that appeared in Wonderwall but not on the soundtrack album, and the Beatles' 1968 B-side "The Inner Light" also originated from his time in Bombay. Although the Wonderwall project marked the end of Harrison's direct involvement with Indian music as a musician and songwriter, it inspired his later collaborations with Ravi Shankar, including the 1974 Music Festival from India. (Full article...)
  • Image 22 Koi... Mil Gaya (Hindi pronunciation: [ˈkoːi mɪl ɡəjaː] transl. Someone...Is Found) is a 2003 Indian science fiction-drama film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit Mehra, a developmentally disabled man who contacts an extraterrestrial being later named Jadoo with his late father Sanjay's supercomputer. The film follows his relationship with Nisha, Rohit's friend, who falls in love with him. After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$480,000) on its visual effects. (Full article...)
    Koi... Mil Gaya (Hindi pronunciation: [ˈkoːi mɪl ɡəjaː] transl. Someone...Is Found) is a 2003 Indian science fiction-drama film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit Mehra, a developmentally disabled man who contacts an extraterrestrial being later named Jadoo with his late father Sanjay's supercomputer. The film follows his relationship with Nisha, Rohit's friend, who falls in love with him.

    After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$480,000) on its visual effects. (Full article...)
  • Image 23 The flag of India hoisted at the Red Fort in Delhi; hoisted flags are a common sight on Independence Day. Independence Day is celebrated annually on 15 August as a public holiday in India commemorating the nation's independence from the United Kingdom on 15 August 1947, the day when the provisions of the Indian Independence Act, which transferred legislative sovereignty to the Indian Constituent Assembly, came into effect. India attained independence following the independence movement noted for largely non-violent resistance and civil disobedience led by Indian National Congress under the leadership of Mahatma Gandhi. Independence coincided with the partition of India, in which British India was divided into the Dominions of India and Pakistan; the partition was accompanied by violent riots and mass casualties. On 15 August 1947, the first Prime Minister of India, Jawaharlal Nehru raised the Indian national flag above the Lahori Gate of the Red Fort in Delhi. On each subsequent Independence Day, the incumbent Prime Minister customarily raises the flag and gives an address to the nation. The entire event is broadcast by Doordarshan, India's national broadcaster, and usually begins with the shehnai music of Ustad Bismillah Khan. Independence Day is observed throughout India with flag-hoisting ceremonies, parades and cultural events. It is a national holiday in the country. (Full article...)

    The flag of India hoisted at the Red Fort in Delhi; hoisted flags are a common sight on Independence Day.

    Independence Day is celebrated annually on 15 August as a public holiday in India commemorating the nation's independence from the United Kingdom on 15 August 1947, the day when the provisions of the Indian Independence Act, which transferred legislative sovereignty to the Indian Constituent Assembly, came into effect. India attained independence following the independence movement noted for largely non-violent resistance and civil disobedience led by Indian National Congress under the leadership of Mahatma Gandhi.

    Independence coincided with the partition of India, in which British India was divided into the Dominions of India and Pakistan; the partition was accompanied by violent riots and mass casualties. On 15 August 1947, the first Prime Minister of India, Jawaharlal Nehru raised the Indian national flag above the Lahori Gate of the Red Fort in Delhi. On each subsequent Independence Day, the incumbent Prime Minister customarily raises the flag and gives an address to the nation. The entire event is broadcast by Doordarshan, India's national broadcaster, and usually begins with the shehnai music of Ustad Bismillah Khan. Independence Day is observed throughout India with flag-hoisting ceremonies, parades and cultural events. It is a national holiday in the country. (Full article...)
  • Image 24 The Upanishads (/ʊˈpʌnɪʃədz/; Sanskrit: उपनिषद्, IAST: Upaniṣad, pronounced [ˈʊpɐnɪʂɐd]) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices. While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ritualism and interpreted in various ways in the later commentarial traditions. The Upanishads are widely known, and their diverse ideas, interpreted in various ways, informed later traditions of Hinduism. The central concern of all Upanishads is to discover the relations between ritual, cosmic realities (including gods), and the human body/person, postulating Ātman and Brahman as the "summit of the hierarchically arranged and interconnected universe", but various ideas about the relation between Atman and Brahman can be found. (Full article...)

    The Upanishads (/ʊˈpʌnɪʃədz/; Sanskrit: उपनिषद्, IAST: Upaniṣad, pronounced [ˈʊpɐnɪʂɐd]) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices.

    While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ritualism and interpreted in various ways in the later commentarial traditions. The Upanishads are widely known, and their diverse ideas, interpreted in various ways, informed later traditions of Hinduism. The central concern of all Upanishads is to discover the relations between ritual, cosmic realities (including gods), and the human body/person, postulating Ātman and Brahman as the "summit of the hierarchically arranged and interconnected universe", but various ideas about the relation between Atman and Brahman can be found. (Full article...)
  • Image 25 Trapped is a 2016 Indian Hindi-language survival drama film directed by Vikramaditya Motwane, who also co-produced it with Anurag Kashyap, Vikas Bahl and Madhu Mantena under the banner of Phantom Films. The film stars Rajkummar Rao as a call centre employee who gets trapped in his apartment room without food, water, and electricity, and Geetanjali Thapa as his girlfriend. Motwane got the idea for the film from an e-mail from writer Amit Joshi. He liked the idea and asked Joshi to send a full script, which he received a month later. The script was later re-written by Joshi and Hardik Mehta who turned the 130-page draft into 40 pages. Trapped was primarily shot over a period of 20 days, at an apartment in Mumbai. The film's music and background score were composed by Alokananda Dasgupta, with lyrics by Rajeshwari Dasgupta. Siddharth Diwan was the cinematographer, and Nitin Baid was the editor. (Full article...)
    Trapped is a 2016 Indian Hindi-language survival drama film directed by Vikramaditya Motwane, who also co-produced it with Anurag Kashyap, Vikas Bahl and Madhu Mantena under the banner of Phantom Films. The film stars Rajkummar Rao as a call centre employee who gets trapped in his apartment room without food, water, and electricity, and Geetanjali Thapa as his girlfriend.

    Motwane got the idea for the film from an e-mail from writer Amit Joshi. He liked the idea and asked Joshi to send a full script, which he received a month later. The script was later re-written by Joshi and Hardik Mehta who turned the 130-page draft into 40 pages. Trapped was primarily shot over a period of 20 days, at an apartment in Mumbai. The film's music and background score were composed by Alokananda Dasgupta, with lyrics by Rajeshwari Dasgupta. Siddharth Diwan was the cinematographer, and Nitin Baid was the editor. (Full article...)
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4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)
Three rebels are killed and four security personnel are injured during two separate shootouts in Anantnag district, Jammu and Kashmir, India. (AP)
3 November 2024 – Naxalite–Maoist insurgency
Two police officers are injured in a stabbing attack by Naxalite insurgents in Sukma, Chhattisgarh, India, with their weapons being stolen. (Indian Express)
24 October 2024 – Insurgency in Jammu and Kashmir
Islamist insurgents target an Indian Army vehicle with small arms fire near Gulmarg, Jammu and Kashmir, India, killing two soldiers and two civilian porters and injuring three other soldiers. (The Indian Express)

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