Transgressive art

Transgressive art is art that aims to outrage or cause a reaction from the observer. The term transgressive was first used in this sense by American filmmaker Nick Zedd and his Cinema of Transgression in 1985. Zedd used it to describe his legacy with underground film-makers like Paul Morrissey, John Waters, and Kenneth Anger, and the relationship they shared with Zedd and his New York City peers in the early 1980s.

Definition

From an academic perspective, many traces of transgression can be found in any art which is considered offensive because of its shock value; from the French Salon des Refusés artists to Dada and Surrealism. Philosophers Mikhail Bakhtin and Georges Bataille have published works on the nature of transgression. Transgressional works share some themes with art that deals with psychological dislocation and mental illness. Examples of this relationship, between social transgression and the exploration of mental states relating to illness, include many of the activities and works of the Dadaists, Surrealists, and Fluxus-related artists, such as Carolee Schneemann – and, in literature, Albert Camus's L'Etranger or J.D. Salinger's The Catcher in the Rye.

Examples

In visual art

Transgressive artist Richard Kern began making films in New York City with actors Nick Zedd and Lung Leg in the early 1980s. Some were videos for musical artists, including the Butthole Surfers and Sonic Youth.

During the 1980s, artists such as Dread Scott created art that was so controversial that it ended up in the supreme court. In the case of Scott, United States v. Eichman, the Supreme Court ruled that it was unconstitutional for the government to prohibit an artwork that desecrates the American Flag. Another artist, Robert Mapplethorpe, caused the Director of the Contemporary Arts Center in Cincinnati to be put on trial for obscenity in 1990. Both cases were ruled in favor of the artists.

Among the most notorious works of transgressive art among the general public have been sculpture, collages, and installation art which offended Christian religious sensibilities. These include Andres Serrano's Piss Christ, featuring a crucifix in a beaker of urine, and Chris Ofili's The Holy Virgin Mary, a multi-media painting which is partially made of elephant dung.

Jeffrey Weiss of Artforum considers some of the work of Cy Twombly to be transgressive, citing "drawing as a form of scrawl".

In literature

The term can also be applied to transgressive literature as well. Examples include Trainspotting by Irvine Welsh, Blood and Guts in High School by Kathy Acker, American Psycho by Bret Easton Ellis, Fight Club by Chuck Palahniuk, Behead All Satans by MNM-DR, and J. G. Ballard's short story "The Enormous Space". These works deal with issues that were considered to be outside the social norms. Their characters abuse drugs, engage in violent behaviour, and could be considered sexual deviants.

Trangressive writing can also be reflected in non-fiction, such as in the writing style of Jim Goad.

In music

Subsequent transgressive artists of the 1990s overlapped the boundaries of literature, art, and music, including GG Allin, Lisa Crystal Carver, Shane Bugbee, and Costes. With these artists came a greater emphasis on life itself (or death) as art, rather than simply depicting a certain mindset in film or music. They were instrumental in creating a new type of visionary art and music, and influenced artists including Alec Empire, Cock E.S.P., Crash Worship, Usama Alshaibi, Liz Armstrong, Lennie Lee, Weasel Walter, Andy Ortmann, and the later work featured in Peter Bagge's comic Hate.

Rock and roll music has inspired controversy and been transgressive from its inception. As certain other musical genres grew in popularity, some transgressive artists used controversy to make a statement, gain attention, or make a profit (or a combination of these). Among certain musical genres and movements, offending modern sensibilities was an integral part of the music. Musical genres that utilize transgressive themes or music include genres such as shock rock, punk rock, trap, grindcore, black metal and death metal, and various bands within the avant-garde rock or experimental rock genre. Since the late twentieth century, the term has been most frequently applied to artists of musical genres such as hardcore hip hop, gangsta rap, and horrorcore. Eminem was a major subject of such controversy; his early works, most notably The Slim Shady LP (1999) and The Marshall Mathers LP (2000), were subjects of backlash surrounding their violent lyricism. Another major figure of criticism was rapper Tyler, the Creator, whose horrorcore-influenced debut studio album, Goblin (album), described graphic violence, which subsequently got his concerts banned from countries such as New Zealand[1] and the United Kingdom[2]. Though his former negative reputation softened to the masses[3], Tyler, the Creator and his former hip-hop group, Odd Future's music still faced major criticism for graphic lyrics present in their songs in the early 2010s.

Some musical artists use the controversy that surrounds transgressive art as a form of publicity.

Recent examples

Since the late 1990s, a new group of transgressive artists has emerged, such as the Canadian artist Rick Gibson who made a pair of earrings out of human fetuses and ate a piece of human testicle. In China, several artists have produced transgressive art; these include Zhu Yu (who published images of himself eating what appeared to be a human fetus) and Yang Zhichao (who is known for extreme body art).

See also

• Anti-art
• Artistic scandal
• Black comedy
• Cinema of Transgression
• New French Extremity
• New Gothic Art
• Pink Flamingos (1972 film)
• Shock art
• Subvertising
• Torture porn
• Transgressive fiction
• Extreme cinema

Further reading

• Transgressions: The Offences of Art (2003) – Anthony Julius ISBN 0-500-23799-9
• Deathtripping: The Cinema of Transgression (1995) – Jack Sargeant